|© Claire Collins
Web address for this interview: http://www.whohub.com/clairecollins
The other day, I was a patient waiting patiently for the nurse to call my name. I grabbed the magazine closest to me on the waiting room table and perused the pages. The publication was an interior decorating magazine aimed at people who have six figures to spare. Each of the rooms was decorated with an abundance of top-dollar items designed by well-known names and firms in their circles.
I have no idea who they were.
Obviously, I am not in that circle. On one cream colored wall was a framed drawing in a childlike scratch of x’s and o’s. My thought? How sweet, the wealthy homeowners framed artwork created by their child or grandchild.
Nope. The artwork, which looked exactly like something one of my kids would have rendered at the age of three, was some kind of a big deal by some famous artist.
I can’t remember his name and it really isn’t important to me, however it does make me want to give the kids a pack of crayons and some poster board and see if I can’t get rich selling their scribbles as art since that seems to be all the latest rage.
Books are similar. People will buy any book written by an author they have heard of, even if the book itself isn’t any good. There are forums across the internet devoted to authors who have created one good book, and a lot of mediocre books. Readers rave about how many they have read and the plot points of each, and if anyone disagrees with the fanatical ravings, then they are immediately quartered and drawn by the other members of the group.
Now, I am off to go find an artists page and let the fanatics there know that if they insist on adorning their walls with a particular style of impressionist artwork, I can get them quality originals for a fraction of the price. All I have to do is build the name recognition.